Oil On Canvas, Real Flavor of Old Masters

All Sir William Beechey 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
96778  
Charles Brudenell Bruce, Sir William Beechey
  		 Charles Brudenell Bruce   oil on canvas 74.5 x 62 cm 19th century cyf
41  
Horatio Viscount Nelson, Sir William Beechey
  		 Horatio Viscount Nelson   1801 National Portrait Gallery, London
85497  
John Wodehouse MP Norfolk, Sir William Beechey
  		 John Wodehouse MP Norfolk   oil on canvas 91 x 71 cm 1785
89605  
John Wodehouse MP Norfolk, Sir William Beechey
  		 John Wodehouse MP Norfolk   oil on canvas 91 x 71 cm cyf
83623  
Portrait of a Young Girl, Sir William Beechey
  		 Portrait of a Young Girl   19th century Medium Oil on canvas Dimensions 23 1/4 x 20 in. (59 x 51 cm). cyf
82913  
Portrait of Elizabeth of the United Kingdom, Sir William Beechey
  		 Portrait of Elizabeth of the United Kingdom   1797(1797) Medium Oil on canvas Dimensions 92.7 x 68.6 cm (36.5 x 27 in) cyf
82712  
Portrait of John Carr, Sir William Beechey
  		 Portrait of John Carr   1791(1791) Medium Oil on canvas Dimensions 127 x 100.5 cm (50 x 39.6 in) cyf
83519  
Portrait of Mary Constance, Sir William Beechey
  		 Portrait of Mary Constance   1782-1787 Medium Oil on panel cyf
81713  
Princess Augusta, Sir William Beechey
  		 Princess Augusta   ca. 1802(1802) Medium Oil on canvas cyf
44597  
Sarah Siddons with the Emblems of Tragedy, Sir William Beechey
  		 Sarah Siddons with the Emblems of Tragedy   mk173 1793 Oil on canvas 245.1x153.7cm
Sir William Beechey
1753-1839 British English painter. He was trained as a lawyer before entering the Royal Academy Schools, London, in 1772. He is thought to have studied under Johan Zoffany, and his earliest surviving portraits are small-scale full-lengths and conversation pieces in Zoffanys manner (e.g. The Custance Conversation Piece, c. 1786; priv. col.). Beechey first exhibited at the Royal Academy in 1776. In 1782 he moved to Norwich, where he gained several commissions, but he was back in London by 1787. In 1789 he exhibited a portrait of John Douglas, Bishop of Carlisle (London, Lambeth Pal.) that is remarkable for its facility of handling. Beechey would occasionally paint similarly inspired works, but his career is marked by a succession of unflamboyant but competent portraits in the tradition of Joshua Reynolds.



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